Tuesday, September 27, 2011

David's Oath of the Horatii

The Oath became so widely known and revered among artist and art critics that its impact dramatically changed the approach to artistic works that preceded it; The Oath became the standard for corporal expression. The Oath depicts three sturdy upright soldiers as they leave their family in preparation for war. They make their oath, their arms out stretched to their father Horatii as they commit to give their lives in defense of Rome. Standing between them and the weeping families they leave David has positioned the noble Horatii. The Oath symbolizes a call for truth among the 1780’s French, and echoes the sacrifice that the French must soon take to revolt against their own suppressive government.

Sunday, September 25, 2011

Carl Larsson - Apple Orchard

Carl Larsson's Apple Orchard is a great inspiration for fall colors. I love how the vibrant blue dress and red house harmonize with the gold autumn foliage. As the trees begin to change color remember 'nothing gold can stay', enjoy the autumn beauty while it lasts.

Friday, September 23, 2011

Dear Reader.......

Dear Reader..... 
I know you're out there and I do hope you enjoy reading my blog. I need your help to make it better. Please make comments about post you like, feel free to ask questions and let me know what you would like me to write about. 

If you're out there let me know. 

Hey Thanks, Ben 

Tuesday, September 20, 2011

Views of Mount Fuji series



A woodblock print from the Thirty-six Views of Mount Fuji series. This view entitled The Barrel-maker of Fujimihara by Katsushika Hokusai. The Barrel-maker depicts a tiny aged man kneeling inside his latest creation, a large open ended barrel. In the foreground are his worn wooden mallets and barrel making materials while in the background lays a green landscape beyond the sun scorched rice fields and further still the far distant peek of the tiny snow capped Mount Fuji. The repetitive use of circles in the large barrel narrates this otherwise mundane scene. The barrel-maker, with his gaze fixated on his work and the beauty of natural world behind him.





Art in the Home

 Invest in your favorite paintings and statues that most clearly represent, to you, your creator. Seeing these positive images can have a profound effect on your relationship between you and your creator.












Watson and the Shark

Watson and the Shark  by John Singleton Copley is far more than an engaging historical drama painting, details suggest deep religious symbolism and iconography including a nude figure reaching for salvation, the boat on the water, referring to Jesus Christ as a fisher of man and the sunlit ship masts resembling crosses in the distance.

Thursday, September 15, 2011

The Home

 "The most important work you and I will ever do will be within the walls of our own homes."

           - Harold B. Lee

 

I realize this quote is referring to the importance of raising children, and teaching them correct principles of life. For me this quote has a double meaning. I believe that a well organized, beatified, and exceptionally functional home has a dramatic impact on the family within.  

Invest in your favorite paintings and statues that most clearly represent, to you, your creator. Seeing these positive images can have a profound effect on your relationship between

Monday, September 12, 2011

Accents of Silver and Glass


                                                                                   via

Saturday, September 10, 2011

How is “good design” determined?

What is good design?Using the above definition of design, determining “good design” is consequently determined by how a given society employs and accepts the design. The attribute of time is a crucial indication of good design, if a design is used for a long period of time without one of its given elements or ideas removed, more commonly known as being redesigned, then the design has proven itself. Time however is not the sole defining factor of good design. The ability for the idea to be easily understood by society and that the design is pleasing, both aesthetically and mentally also contribute to “good design.”

Tuesday, September 6, 2011

The House

                Truly great architecture and design knows no trends and can withstand the passing of time.  Recently I took the opportunity to drive around the neighborhood and surrounding area I grew up in. this area in the foothills of Provo was at one time the prime location for homes in Utah Valley. Many of the homes there were built in the mid 1970’s and 80’s however I have noticed a stark contrast between these homes and the cookie cutter approach, however big the cookie, of more recent prominent building area.

 These homes built nearly thirty years ago are all unique and have stood the test of time. They were designed in a variety of architectural styles and their designers stayed close to the features of those styles. If it was a Georgian home it was symmetrical with beautiful brick work or if it was a Tudor home it has white stucco with dark brown half-timbering and stained glass windows. Such was the home I was raised in and while it may not have been at the top of Le Corbusier’s list of styles I believe that my home fit his description of what a home should be; not overly ornate, frugal, clean and disciplined. It is unfortunate that today I see many of these once beautifully timeless homes being “modernized” to fit the trends of society, in doing so the home owner is destroying the passion instilled in the home by its architect.

The Architecture of Happiness

 Anyone who knows me well knows that I have a love of architecture; however few know what drives that love. To me architecture has always been one of the foundations of life, or at the very least a way to interpret life. Through symbols in stone, grandeur of height, or reverence that encompass a structure I have found solace in my life. I believe that what Alain de Botton in his book The Architecture of Happiness is explaining, and expounding on the affection for architecture.
    As I mature in my study of architecture I am beginning to better understand that difference in and relationship of public and private space. As a child I imagined large and ornate homes for me and my family to live in, however as I better understand just what it takes to make a house a home I relish in Botton’s discussion of Le Corbusier.  That truly great architecture is “motivated by the quest for efficiency”, that home need not be overly decorated or ornate, rather frugal, clean, disciplined and aesthetically pleasing.  I believe that not all homes need be of the Bauhaus or Modern movements to fit Le Corbusier’s thought process of what a home should be.

           
  

Matallic Paint? Your thoughts?

I am trying to decide how I feel about these painted metallic finishes. I love the look of a real metal finish can bring, but is the painted version some kind of counterfeit or its own style altogether?
What are your thoughts?


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